Zusammenstellung: Peter Wicke, © FPM

Bibliographie
Populäre Musik in Afrika


Abimbola, W., The Interrelationship of Poetry and Music in Yoruba Tradition, in: Yoruba Oral Tradition: Poetry in Music, Dance and Drama, (Department of African Languages and Literature, University of Ife) Ife 1975, 471-87

Aig-Imoukhuede, Frank, Contemporary Culture, in: Lagos: The Development of an African City,(Longman Nigeria) Lagos 1975, 197-226

Ajibola, J.O., Yoruba Songs, (University of Ife) Nigeria 1974

Akpabot, Samuel, Standard Drum Patterns in Nigeria, in: African Music, 1971, 5(1), 37-39

Akpabot, Samuel, The Conflict Between Foreign and Traditional Culture in Nigeria, in: Reflections on Afro-American Music, (Kent State University) Kent 1973, 124-30

Alaja-Browne, Afolabi, A Diachronic Study of Change in JuJu Music, in: Popular Music, 1989, 9(3), 231-42

Alaja-Browne, Afolabi, On Music, Emotions and Mobilization , in: Worldbeat, 1991, 1, 46-54

Ames, David W., Urban Hausa Music, in: African Urban Notes, 1970, 5(4), 19-24

Andersson, Muff, Music in the Mix: The Story of South African Popular Music, (Ravan) Johannesburg 1981

Aning, B.A., An Annotated Bibliography of Music and Dance in English-speaking Africa, (University of Ghana) Legon 1975

Ballantine, Christopher, "Concert and Dance": The Foundations of Black Jazz in South Africa Between the Twenties and Early Forties, in: Popular Music, 1991, 10(3), 121-46

Ballantine, Christopher, A Brief History of South African Popular Music, in: Popular Music, 1989, 8(3), 304-10

Ballantine, Christopher, Marabi Nights: Early South African Jazz and Vaudeville, (Ravan) Johannesburg 1993

Ballantine, Christopher, Looking to the USA: The Politics of Male Close-harmony Song Style in South Africa during the 1940s and 1950s, in: Popular Music, 18/1, 1999, 1-17

Bebey, Francis, 50 Ans de Musique du Zaire-Congo, (Présence africaine) Paris 1984

Bebey, Francis, African Music: A People's Art, (Lawrence Hill) Westport, CT 1975

Bebey, Francis, African Musical Tradition in the Face of Foreign Influence, in: Cultures, 1979, 6(2), 134-40

Bemba, Sylvain, Cinquante ans de musique du Congo-Zaire, 1920-1970, (Présence africaine) Paris 1984

Bender, Wolfgang, Sweet Mother: Modern African Music, (University of Chicago) Chicago 1985

Bensignor, Francis, Sons d'Afrique, (Marabout) Paris 1988

Berger, Renato, Africa Dance: Afrikanischer Tanz in Vergangenheit und Zukunft, Ursprung und Diaspora: Afrika, Karibik, Brasilien, (Heinrichshofen) Wilhelmshaven 1984

Bergman, Billy, African Pop: Goodtime Kings, (Blandford) Poole 1985

Berliner, Paul F., The Soul of Mbira, (University of California) Berkeley and Los Angeles 1981

Blacking, John, Continuity and Change in African Culture, in: African Music, 1959, 2(2), 15-23

Blacking, John, Trends in the Black Music of South Africa, 1959-1969, in: E. May (Hrsg.), Musics of Many Cultures, (University of California) Berkeley, CA 1980, 195-215

Brandel, Rose, The Music of Central Africa: An Ethnomusicological Study: Former French Equatorial Africa, the Former Belgian Congo, Ruanda-Urundi, Uganda, Tanginyika, (Nijhoff) The Hague 1973

Brincard, M.T., Sounding Forms: African Musical Instruments, (American Federation of Arts) New York 1989

Brown, Ernest D., The Guitar and the Mbira: Resilience, Assimilation, and Pan-Africanism in Zimbabwean Music, in: World of Music, 1994, 36(2), 73-117

Bucknor, Segun, The Big Battle: Pop vs. Juju, in: Drum Magazine, 20 September, 1976, 11ff

Charry, Eric, The Grand Mande Guitar Tradition of the Western Sahel and Savannah, in: World of Music, 1994, 36(2), 21-61

Charters, Samuel B., The Roots of the Blues, (Quartet Books) London 1981

Chernoff, John M., Africa Come Back: The Popular Music of West Africa, (Century) London 1985

Chernoff, John M., African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms, (University of Chicago) Chicago 1979

Chilvers, Garth, History of Contemporary Music of South Africa, (Toga) Braamfontein 1994

Clegg, Jonathan, The Music of Zulu Immigrant Workers in Johannesburg: A Focus on Concertina and Guitar, in: Papers Presented at the Symposium on Ethnomusicology, 2-9, (International Library of African Music) Grahamstown 1981, 2-9

Cockrell, Dale, Of Gospel Hymns, Minstrel Shows, and Jubilee Singers: Toward Some Black South African Musics, in: American Music, 1987, 5(4), 417-32

Collins, John, African Pop Roots: The Inside Rhythms of Africa, (Foulsham) London 1985

Collins, John, Music Makers of West Africa, (Three Continents) Washington, DC 1985

Collins, John, Post-War Popular Band Music in West Africa, in: African Arts, 1977, 10(3), 53-60

Collins, John/Richards, Paul, Popular Music in West Africa: Suggestions for an Interpretative Framework, in: Ph. Tagg/D. Horn (Hrsg.), Popular Music Perspectives I, (IASPM) Göteborg, Exeter 1982, 111-41

Collins, John, Some Anti-Hegemonic Aspects of African Popular Music, in: R. Garofalo (Hrsg.), Rockin' the Boat: Mass Music and Mass Movements, (South End) Boston, MA 1992, 185-94

Collins, John, The Concert Party in Ghana, in: Musical Traditions, 1985, 4, 37-39

Collins, John, The Early History of West African Highlife Music, in: Popular Music, 1989, 8(3), 221-30

Collins, John, West African Pop Roots, (Temple University) Philadelphia 1992

Coplan, David, In the Time of Cannibals: The Word Music of South Africa's Basotho Migrants, (University of Chicago) Chicago 1994

Coplan, David, In Township Tonight! South Africa's Black City Music and Theatre, (Longman) London and New York 1985

Coplan, David, Notes on New and Old World African Drumming, in: African Music, 1991, 7(1), 105-109

Coplan, David, Popular Music, in: M. Crowder/P. Oliver (Hrsg.), The Cambridge Encyclopaedia of Africa, (Cambridge University) Cambridge 1981, 446-50

Coplan, David, The African Performer and the Jo'burg Entertainment Industry: Struggle for African Culture on the Witwatersrand, in: Labour, Townships and Protest, (Ravan) Johannesburg 1979

Coplan, David, The African Musician and the Development of the Johannesburg Entertainment Industry: 1900-1960, in: Journal of Southern African Studies, 1979, 5(2), 135-64

Coplan, David, The Urbanisation of African Music: Some Theoretical Observations, in: Popular Music, 1982, 2, 113-29

Correa de Azevedo, Luis Hector, Music and Musicians of African Origin in Brazil, in: The World of Music, 1981, 25(2), 53-63

Cowley, John, uBUNGCA (Oxford Bags): Recordings in London of African and West Indian Music in the 1920s and 1930s, in: Musical Traditions, 1994, 12ff

Dargie, David, Xhosa Music: Its Techniques and Instruments, with a Collection of Songs, (David Philip) Cape Town and Johannesburg 1988

Dauer, Alfons Michael, Tradition afrikanischer Blasorchester und Entstehung des Jazz, (Akademische Druck- und Verlagsanstalt) Graz 1985

Davies, Nollene, The Guitar in Zulu Maskanda Tradition, in: World of Music, 1994, 36(2), 118-37

De Lerma, Dominique-René, Bibliography of Black Music, Vol. 1. Reference Materials, (Greenwood) Westport, CT, London 198

Djedje, Jacqueline Cogdell/Carter, William G. (Hrsg.), African Musicology: Current Trends, Vol. 1, (University of California Press) Los Angeles 1989

Dowu Horton, Christian, Popular Bands of Sierra Leone: 1920 to the Present, in: Black Perspectives in Music, 1984, 21(2), 183-92

Durán, Lucy, Birds of Wasulu: Freedom of Expression and Expressions of Freedom in the Popular Music of Southern Mali, in: British Journal for Ethnomusicology, 1995, 4, 101-34

Durán, Lucy, Djely Mousso, in: Folk Roots, 1989, 75 (September), 34-39

Dyan, Brigitte/Mandel, Jean-Jacques, L'Afrique à Paris, (Editions Rochevignes) Paris 1984

Epstein, Dena J., African Music in British and French America, in: The Musical Quarterly, 1973, 59(1), 61-91

Erlmann, Veit, "Horses in the Race Course": The Domestication of Ingoma Dancing in South Africa, 1929-39, in: Popular Music, 1989, 8(3), 259-74

Erlmann, Veit, A Conversation with Joseph Shabalala of Ladysmith Black Mambazo: Aspects of African Performers' Life Stories, in: World of Music, 1989, 33(1), 31-58

Erlmann, Veit, African Stars: Studies in Black South African Performance, (University of Chicago) Chicago 1991

Erlmann, Veit, Black Political Song in South Africa: Some Research Perspectives, in: Ph. Tagg/D. Horn (Hrsg.), Popular Music Perspectives II, (IASPM) Göteborg, Exeter 1985, 187-209

Erlmann, Veit, Migration and Performance: Zulu Migrant Workers' Isicathamiya Performance in South Africa, 1890-1950, in: Ethnomusicology, 1990, 34(2), 199-219

Erlmann, Veit, Nightsong: Performance, Power and Practice in South Africa, (University of Chicago) Chicago 1996

Euba, Akin, Essays on Music in Africa, (Bayreuth University) Bayreuth 1988

Euba, Akin, Essays on Music in Africa: Intercultural Perspectives, Vol. 2, (Elekoto Music Centre) Lagos 1989

Evans, David, Africa and the Blues, in: Living Blues, 1972, 10, 27-29

Ewens, Graeme, Africa O-Ye! A Celebration of African Music, (Guinness) Enfield 1991

Ewens, Graeme, Congo Colossus: The Life and Legacy of Franco and OK Jazz, (Buku) Norfolk 1994

Fabian, Johannes, Popular Culture in Africa: Findings and Conjectures, in: Africa, 1978, 48(4), 315-34

Fampou, François, Ku sa: introduction à la percussion africaine, (L'Harmattan) Paris 1986

Fosu-Mensah, Kwabena/Durán, Lucy/Stapleton, Chris, On Music in Contemporary West Africa, in: African Affairs, 1987, 86(343), 227-40

Gaskin, L.J.P., A Select Bibliography of Music in Africa, Compiled at the International African Institute, (International African Institute) London 1957

Gorer, Geoffrey, Africa Dances: A Book About West African Negroes, (Norton) New York 1962

Graham, Ronnie, The World of African Music: Stern's Guide to Contemporary African Music, (Pluto Press) London 1992

Gray, John, African Music: A Bibliographical Guide to the Traditional, Popular, Art and Liturgical Musics of Sub-Saharan Africa, (Greenwood) Westport, CT 1991

Hamm, Charles, "The Constant Companion of Man": Separate Development, Radio Bantu, and Music, in: Popular Music, 1991, 10(2), 147-73

Hamm, Charles, Afro-American Music, South Africa and Apartheid, (Institute for Studies in American Music) Brooklyn, NY 1988

Hamm, Charles, Privileging the Moment of Reception: Music and Radio in South Africa, in: St. Scher (Hrsg.), Music and Text: Critical Inquiries, (Cambridge University) Cambridge, MA 1992

Hamm, Charles, Rock'n'Roll in a Very Strange Society, in: Popular Music, 1985, 5, 159-74

Harrev, Flemming, Bibliography of Books on Popular Music in Africa, in: Popular Music, 1989, 8(3), 317-18

Hooker, Naomi Ware, Popular Musicians in Freetown, in: African Urban Notes, (African Studies Centres UCLA and MSU) Los Angeles and East Lansing 1970

Huskisson, Yvonne, The Bantu Composers of Southern Africa, (The South African BroadcastingCorporation) Johannesburg 1969

Ita, Chief Bassey, Jazz in Nigeria: An Outline Cultural History, (Radical House) Calibar 1984

Jackson, Melveen, Popular Indian South African Music: Division in Diversity, in: Popular Music, 1991, 10(2), 175-88

Jackson, Melveen, Tiger Dance, Tango and Tchaikovsky: A Politico-Cultural View of Indian South African Music Before 1948, in: The World of Music, 1989, 31(1), 59-75

Jahn, Janheinz, Residual African Elements in the Blues, in: A. Dundes (Hrsg.), Mother Wit from the Laughing Barrel, (University Press of Mississippi) Jackson, MS 1990, 95-103

Jones, A.M., Africa and Indonesia: The Evidence of the Xylophone and Other Musical and Cultural Factors, (E.J. Brill) Leiden 1971

Jones, A.M., African Drumming, in: Bantu Studies, 1934, 8, 1-16

Jones, A.M., Drums Down the Centuries, in: African Music Society, 1957, 14(4), 4-10

Jones, A.M., Studies in African Music, (Oxford University) Oxford 1959

Kauffman, Robert, Tradition and Innovation in the Urban Music of Zimbabwe, in: African Urban Studies, 1980, 6, 41-48

Kebede, Ashenafi, Roots of Black Music: The Vocal, Instrumental and Dance Heritage of Africa and Black America, (Prentice-Hall) Englewood Cliffs, NJ 1982

Kebede, Ashenafi, Zemenawi Muzika: Modern Trends in Traditional Secular Music of Ethiopia, in: The Black Perspective in Music, 1976, 4(3), 289-302

Keil, Charles, Tiv Song, (Chicago University) Chicago 1979

Kerkhof, Ian, Music in South Africa: Censorship and Repression, in: Re Records Quarterly, 1985, 1(2), 9-15

Kerkhof, Ian, Music in the Revolution, in: Keskidee: A Journal of Black Musical Traditions, 1989, 2, 10-21

King, Anthony, Yoruba Sacred Drums, (Caxton) Ibadan 1976

Kinney, Esi Sylvia, Urban West African Music and Dance, in: African Urban Notes, 1970, 5(4), 3-10

Kirby, Percival R., The Musical Instruments of the Native Races of South Africa, (Witwatersrand University) Johannesburg 1968

Kivnick, Helen, Where Is the Way: Song and Struggle in South Africa, (Penguin) London and New York 1990

Koetting, James T., The Effects of Urbanization: The Music of the Kasena People of Ghana, in: The World of Music, 1975, 17(4), 23-31

Kubik, Gerhard, Daniel Kachamba, 1947-1987: Malawian Musician-Composer, in: Jazzforschung, 1988, 20, 174-79

Kubik, Gerhard, La Musique Africaine, (Reunion de Yaounde) Unesco 1970

Kubik, Gerhard, Neo-traditional Popular Music in East Africa Since 1945, in: Popular Music, 1981, 1, 83-104

Kubik, Gerhard, Stability and Change in African Musical Traditions, in: The World of Music, 1986, 28(1), 44-68

Kubik, Gerhard, The Kachamba Brothers Band: A Study of Neo-Traditional Music in Malawi, (Manchester University) Manchester 1974

Kubik, Gerhard, The Kachamba Brothers Band: A Study of Neo-Traditional Music in Malawi, (Manchester University) Manchester 1974

Kubik, Gerhard, The Southern African Periphery: Banjo Traditions in Zambia and Malawi, in: The World of Music, 1989, 31(3), 3-29

Kubik, Gerhard, The Southern African Periphery: Banjo Traditions in Zambia and Malawi, in: The World of Music, 1989, 31(3), 3-29

Kubik, Gerhard, Verstehen in afrikanischen Musikkulturen, in: H.-P. Reinecke/P. Faltin (Hrsg.), Musik und Verstehen, (Gerig) Köln 1973, 171-88

Lee, Hélène, Rockers d'Afrique: Stars et légendes du rock mandingue, (Albin Michel) Paris 1988

Lems-Dworkin, Carol, African Music: A Pan-African Annotated Bibliography, (Hans Zell) München 1991

Low, John, A History of Kenyan Guitar Music: 1945-1980, in: African Music, 1982, 6(2), 17-36

Low, John, Shaba Diary: A Trip to Rediscover the Katanga Guitar Styles and Songs of the 1950s and 1960s, (Acta Ethnologica et Linguistica) Vienna 1982

Makeba, Miriam, Makeba: My Story, (Bloomsbury) London 1988

Malamusia, Moya Aliya, The Zambian Popular Music Scene, in: Jazzforschung, 1984, 16, 189-98

Manuel, Peter, Africa, in: ders., Popular Musics of the Non-Western World, (Oxford University) New York 1988, 84-114

Maraire, Dumisani, The Mbira Music of Rhodesia, (University of Washington) Seattle, WA 1971

Marsh, Dave, Sun City, by Artists Against Apartheid: The Struggle for Freedom in South Africa; the Making of a Record, (Penguin Books) New York 1986

Martin, Denis-Constant, Music Beyond Apartheid?, in: R. Garofalo (Hrsg.), Rockin' the Boat: Mass Music and Mass Movements, (South End) Boston, MA 1992, 195-208

Martin, Stephen H., Brass Bands and the Beni Phenomena in Urban East Africa, in: African Music, 1991, 7(1), 72-81

Martin, Stephen H., Popular Music in Urban East Africa: From Historical Perspective to a Contemporary Hero, in: Black Music Research Journal, 1991, 11(1), 39-53

Matondo ne Mansangaza, Kanza, Musique zaïroise moderne, (Publications du CNMA) Kinshasa 1972

Matshikiza, Todd, Chocolates for My Wife, (Africa South Paperbacks) Cape Town 1982

McAllester, D. P., Modern Trends in Ghana Music, in: ders., Readings in Ethnomusicology, (Johnson Reprint Company) New York 1971, 330-35

Meintjes, Louise, Paul Simon's "Graceland," South Africa, and the Mediation of Musical Meaning, in: Ethnomusicology, 1990, 34(1), 37-73

Mensah, A.A., Problems of Pitch, Pattern and Harmony in the Ocarini Music of the Venda, in: Jazz Research, 1973, 3(4),

Mensah, Attah Annan, Music South of the Sahara, in: E. May (Hrsg.), Musics of Many Cultures, (University of California) Berkeley and London 1980, 172-94

Mensah, Attah Annan, The Impact of Western Music on the Musical Traditions of Ghana, in: Composer, 1966, 19, 19-22

Merriam, Alan P., African Music in Perspective, (Garland) New York 1984

Mitchell, Clyde, The Kalela Dance: Aspects of Social Relationships Among Urban Africans in Northern Rhodesia, (Manchester University) Manchester 1976

Moore, Sylvia, Social Identity in Popular Mass Media Music, in: Ph. Tagg/D. Horn (Hrsg.), Popular Music Perspectives I, (IASPM) Göteborg, Exeter 1982, 196-222

Mukuna, Kazadi wa (Hrsg.), African Urban Studies, 6: Special Issue on African Urban Music, (Michigan African Studies Center at MSU) East Lansing, MI 1980

Mukuna, Kazadi wa, The Origin of Zairean Modern Music: A Socioeconomic Aspect, in: African Urban Studies, 1980, 6, 31-39

Mukuna, Kazadi wa, The Origins of Zairean Modern Music: A Socio-Economic Aspect, in: African Urban Studies, 1979, 6, 24ff

Mukuna, Kazadi wa, The Changing Role of the Guitar in the Urban Music of Zaire, in: World of Music, 1994, 36(2), 62-72

Murphy, Dennis, The Americanization of Three African Musical Instruments, in: African Music, 1972, 5(2), 105-11

Murphy, Jeanette, The Survival of African Music in America, in: B. Jackson (Hrsg.), The Negro and His Folklore in Nineteenth-Century Periodicals, (University of Texas) Austin, TX 1967

Nketia, J.H. Kwabena, Modern Trends in Ghana Music, in: African Music, 1957, 1(4), 11-13

Nketia, J.H. Kwabena, On the Historicity of Music in African Cultures, in: Journal of African Studies, 1982, 9, 91-100

Nketia, J.H. Kwabena, Our Drums and Drummers, (State Publishing Corporation) Accra 1968

Nketia, J.H. Kwabena, The Music of Africa, (Norton) New York 1974

Nketia, J.H. Kwabena, The Gramophone and Contemporary African Music in the Gold Coast, in: Proceedings of the West African Institute of Social and Economic Research, 1956, 5, 189-200

Nketia, J.H. Kwabena, The Study of African and Afro-American Music, in: The Black Perspective in Music, 1973, 1(1), 7-15

Nurse, George T., Popular Songs and National Identity in Malawi, in: African Music, 1964, 3(3), 101-106

Oliver, Paul, Savannah Syncopators: African Retentions in the Blues, (Studio Vista) London 1970

Oven, C. van, An Introduction to the Music of Sierra Leone, (Evans) London 1981

Pongweni, Alec, Sons That Won the Liberation War, (The College) Harare 1982

Prince, Rob, Zaire and Now, in: Folk Roots, 1989, 73 (July), 21-27

Ranger, T. O., Dance and Society in East Africa, 1890-1970, (Heinemann) London 1975

Roberts, John Storm, Black Music of Two Worlds, (William Morrow) New York 1974

Roberts, John Storm, Kenya's Pop Music, in: Transition, 1965, 4(19), 40-43

Roberts, John Storm, Popular Music in Kenya, in: African Music, 1968, 4(2), 53-55

Rörich, Mary, Shebeens, Slumyards and Sophiatown: Black Women, Music and Cultural Change in Urban South Africa, 1920-1960, in: The World of Music, 1989, 31(1), 78-101

Rycroft, David, African Music in Johannesburg: African and Non-African Features, in: Journal of the International Folk Music Council, 1959, 9, 25-36

Rycroft, David, Black South African Urban Music Since the 1890s: Reminiscences of A.A. Kumalo (1879-1966), in: African Music, 1991, 7(1), 5-31

Rycroft, David, Evidence of Stylistic Continuity in Zulu "Town" Music, in: Essays for a Humanist: An Offering to Klaus Wachsmann, (The Town House) New York 1977, 216-60

Rycroft, David, Melodic Imports and Exports: A Byproduct of Recording in South Africa, in: Bulletin of the British Institute of Recorded Sound, 1956, 1, 19-21

Rycroft, David, The Guitar Improvisations of Mwenda Jean Bosco, in: African Music, 1962, 3(1), 79-85

Rycroft, David, The Guitar Improvisations of Mwenda Jean Bosco, in: African Music, 1961, 2(4), 81-98

Rycroft, David, The New "Town" Music of Southern Africa, in: Recorded Folk Music, 1958, 1, 54-57

Sampson, Anthony, Drum: An African Adventure - and Afterwards, (Hodder and Stoughton) London 1983

Scannell, Paddy, Music, Radio and the Record Business in Zimbabwe Today, in: Popular Music, 20/1, 2001, 13-27

Schmidt, Cynthia, An Interview with John Collins on Cultural Policy, Folklore and the Recording Industry in Ghana, in: World of Music, 1994, 36(2), 138-47

Schmidt, Cynthia, The Guitar in Africa: Issues and Research, in: World of Music, 1994, 36(2), 3-20

Seck, Nago/Clerfeuille, Sylvie, Musiciens africains des années 80, (L'Harmattan) Paris 1986

Seroff, Doug, A Brief Introduction to Zulu Choirs, in: Black Music Research Journal, 1990, 10(1), 54-57

Seroff, Doug, Shifty Record Company, in: Keskidee: A Journal of Black Musical Traditions, 1989, 2, 22-26

Seroff, Doug, The Zulu Choirs: A Brief Introduction, in: Keskidee: A Journal of Black Musical Traditions, 1986, 1, 20-26

Shelemay, Kay Kaufman, Music, Ritual, and Falasha History, (Michigan State University) East Lansing, MI 1989

Simon, Artur (Hrsg.), Musik in Afrika, (Staatliche Museen) Berlin 1983

Smith, Edna M., Popular Music of West Africa, in: African Music, 1962, 3(1), 11-17

Southern, Eileen, Biographical Dictionary of Afro-American and African Musicians, (Greenwood) Westport, CT 1982

Stapleton, Chris, African Connections: London's Hidden Music Scene, in: P. Oliver (Hrsg.), Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, (Open University) Milton Keynes 1990, 79-86

Stapleton, Chris/May, Chris, African All-Stars: The Pop Music of a Continent, (Quartet Books) London 1987

Stewart, Gary, Breakout: Profiles in African Rhythm, (University of Chicago) Chicago 1992

Taylor, Jeremy, Ag Pleez Daddy!: Songs and Reflections, (Jeremy Taylor) 1992

Templeton, Ray, African Musical History on Record, in: Musical Traditions, 1994, 12, 36

Topp Fargion, Janet, The Role of Women in Taarab in Zanzibar: An Historical Examination of a Process of "Africanisation", in: World of Music, 1993, 35(2), 109-25

Tracey, Hugh, African Dances of the Witwatersrand Gold Mines, (African Music Society) Roodepoort 1952

Tracey, Hugh, The State of Folk Music in Bantu Africa, in: African Music, 1954, 1(1), 8-11

Trewela, Ralph, Song Safari: A Journey Through Light Music in South Africa, (Limelight) Johannesburg 1980

Vail, Leroy, Forms of Resistance: Songs and Perception of Power in Colonial Mozambique, in: The American Historical Review, 1983, 88(4), 883-919

Van Dam, Theodore, The Influence of West African Songs of Derision in the New World, in: African Music, 1954, 1(1), 53-56

Van Zile, Judy, Dance in Africa, Asia and the Pacific: Selected Readings, (MSS Information Corp.) New York 1976

Wachsmann, Klaus, Essays on Music and History in Africa, (Northwestern University) Evanston, IL 1971

Wallis, Roger/Malm, Krister, The Interdependency of Broadcasting and the Phonogram Industry: Events in Kenya, March 1980, in: Ph. Tagg/D. Horn, Popular Music Perspectives I, (IASPM) Göteborg, Exeter 1982, 93-110

Ware, Naomi, Popular Music and African Identity in Freetown, Sierra Leone, in: B. Nettl (Hrsg.), Eight Urban Musical Cultures: Tradition and Change, (University of Illinois) Urbana, London 1978

Ware, Naomi, Popular Musicians in Freetown, in: African Urban Notes, 1970, 5(4), 11-18

Warren, Fred/Warren, Lee, The Music of Africa: An Introduction, (Prentice-Hall) Englewood Cliffs, NJ 1970

Waterman, Christopher A., "I'm a Leader, Not a Boss": Popular Music and Social Identity in Ibadan, Nigeria, in: Ethnomusicology, 1982, 26(1), 59-72

Waterman, Christopher A., "Our Tradition is a Very Modern Tradition": Popular Music and the Construction of Pan-Yoruba Identity, in: Ethnomusicology, 1990, 34(3), 367-79

Waterman, Richard, African Influence on the Music of the Americas, in: S: Tax (Hrsg.), Acculturation in the Americas II, (University of Chicago) Chicago 1952, 207-18

Waterman, Richard, On Flogging a Dead Horse: Lessons Learnt from the Africanisms Controversy, in: Ethnomusicology, 1963, 7(2), 83-88

Welch, David B., A Yoruba/Nagô "Melotype" for Religious Songs in the African Diaspora: Continuity of West African Praise Song in the New World, in: I. V. Jackson (Hrsg.), More than Drumming: Essays on African and Afro-Latin American Music and Musicians, (Greenwood) Westport, CT 1985, 145-62

Wiggins, Trevor, Music of West Africa, (Heinemann Educational) London 1993

Wilson, Olly, The Significance of the Relationship Between Afro-American Music and West African Music, in: The Black Perspective in Music, 1974, 1(3), 3-22

Zindi, Fred, Roots Rocking in Zimbabwe, (Mambo) Gweru 1985


©  Peter Wicke